If anyone told me that I'd have playing 'pon deh replay, a song that starts with "Zagadat, Gbim Gbam Gbadi Ten Teh!", I'd laugh the person off like you'd do a stupid fellow, but I guess you wouldn't if it's the LEG OVER remix by Mr. Eazi featuring Wizkid, Eddie Kadi and Maleek Berry you're listening to. I haven't had the best of the last few days, and as is norm when I'm depressed, I turn to music, many times to the Hard Metal Rock, slow Rock, sometimes Rap music for the intensity, and lyrics that I can relate to. African traditional music also, including those done in languages I don't understand helps take my mind of things a great deal. Nigerian music, especially by the young acts don't feature here because of their shallowness mostly in terms of lyrics, they find space when I'm in celebratory mode.
I'd heard LEG OVER the remix before, but really never paid it any attention, beyond believing that at some point, I would download it for my listening pleasure. It will interest you to know that I haven't heard the original, despite my madness for the remix, and that's for fear of getting disappointed, as it's been with other songs of his that followed immediately after this remix, the day I watched it on YouTube and fell in love with it, as I'm sure many others did going by the volume of covers it has already birthed, as well as videos of imitators of the dance steps on YouTube, with close to a million viewers of the remix video in such a short time since the release of the video online. I'm just content with the fact that the song did for me what I needed it to do for me, which is to distract me from issues bugging me, helping me clear my mind to channel thoughts to more productive things, even when I may not readily act on them.
Now don't look at me like I fell for the lyrics, because that didn't even happen. Though I know what's been talked about in the song, the lyrics formed part of the beats for me, as nothing in it could've helped assuage my situation in the first place. It's slow rhythm must be what drew me to it, and the simple ways the beats waltzes into one another. The intermittent percussion and the ever present string work, as well as the cymbal or shèkèrè-like accompaniments, not forgetting the "ekwe" (dunno what it's called in the English) somewhere in the mix.
You could also feel the influence of the Ghanaian HIP-LIFE sounds within it, with what sounded like Sarkodie's "Whi" chant spotting key junctions in the song. It wasn't difficult hearing Wizkid's voice on autotune during the hook with Mr. Eazi, a surprise for me in finding other listeners online insisting he wasn't in the song at all. Interestingly, not only was he in the audio, he also did a cameo in the video, which in itself wasn't bad. The girls looking to show everything in their dance style, showed very little, such that if you were apprehensive about having kids around while watching it, you might just end up being thankful that you hadn't rushed to jump to conclusion in changing the music channel because of the kids around you.
That was how I managed to distract myself from an awful week, by making this song my soundtrack. I just bopped my head to it, and all the weight simply dropped off, so I simply played it over and over again, until the weight didn't seem too heavy to carry anymore. That's usually what music does to and for me, the unusual thing about this one though, was that I didn't need the lyrics to minister to my soul, as the sound did just quite enough to levitate me from the depth of the sea, till I could float.
'kovich
I'd heard LEG OVER the remix before, but really never paid it any attention, beyond believing that at some point, I would download it for my listening pleasure. It will interest you to know that I haven't heard the original, despite my madness for the remix, and that's for fear of getting disappointed, as it's been with other songs of his that followed immediately after this remix, the day I watched it on YouTube and fell in love with it, as I'm sure many others did going by the volume of covers it has already birthed, as well as videos of imitators of the dance steps on YouTube, with close to a million viewers of the remix video in such a short time since the release of the video online. I'm just content with the fact that the song did for me what I needed it to do for me, which is to distract me from issues bugging me, helping me clear my mind to channel thoughts to more productive things, even when I may not readily act on them.
Now don't look at me like I fell for the lyrics, because that didn't even happen. Though I know what's been talked about in the song, the lyrics formed part of the beats for me, as nothing in it could've helped assuage my situation in the first place. It's slow rhythm must be what drew me to it, and the simple ways the beats waltzes into one another. The intermittent percussion and the ever present string work, as well as the cymbal or shèkèrè-like accompaniments, not forgetting the "ekwe" (dunno what it's called in the English) somewhere in the mix.
You could also feel the influence of the Ghanaian HIP-LIFE sounds within it, with what sounded like Sarkodie's "Whi" chant spotting key junctions in the song. It wasn't difficult hearing Wizkid's voice on autotune during the hook with Mr. Eazi, a surprise for me in finding other listeners online insisting he wasn't in the song at all. Interestingly, not only was he in the audio, he also did a cameo in the video, which in itself wasn't bad. The girls looking to show everything in their dance style, showed very little, such that if you were apprehensive about having kids around while watching it, you might just end up being thankful that you hadn't rushed to jump to conclusion in changing the music channel because of the kids around you.
That was how I managed to distract myself from an awful week, by making this song my soundtrack. I just bopped my head to it, and all the weight simply dropped off, so I simply played it over and over again, until the weight didn't seem too heavy to carry anymore. That's usually what music does to and for me, the unusual thing about this one though, was that I didn't need the lyrics to minister to my soul, as the sound did just quite enough to levitate me from the depth of the sea, till I could float.
'kovich
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Nice one. Mr Eazi is new in the Nigerian music space but his immediate impact is quite commendable. For real, he's very talented, with his own unique style. His lyrics may not be conscious enough but he knows how use them with appeal. Even his vulgar usage of words makes sense. He's good indeed.
ReplyDeleteBut I'm surprised they tagged the video as a remix. I bought the audio album and have been listening to it and I tell you, there's no difference in the sounds between the Leg Over in the album and this so called remix. Besides, the acts featured only made cameo appearances and didn't partake in spilling out any verse. So I'll be wondering which one is the original Leg Over before the purported remix.
For now, I can't get enough of the entire album starting with the first track, Leg Over.
Maybe doing a video of it means a remix in the eyes of his handlers. My fear that the original may be a total waste of my time is why I never bothered to look for it.
ReplyDelete